2020 “Women in Music Production: A contextualized history from the 1890s to the 1980s.” In Perspectives on Music Production: Gender in Music Production, edited by R.Hepworth-Sawyer, J. Hodgson, Liesl King and Mark Marrington. New York: Routledge (forthcoming).
2019 “The DAW, electronic music aesthetics and genre transgression in music production: the case of heavy metal music.” In Perspectives on Music Production: Producing Music, edited by R.Hepworth-Sawyer, J. Hodgson and Mark Marrington. New York: Routledge.
2018 Journal of Music Technology and Education (Special MPEC Edition), guest editorial with R.Hepworth-Sawyer, 11/3 (2018).
2017 “From DJ to Djent-step: Technology and the Re-Coding of Metal Music since the 1980s.” Metal Music Studies, 3/2 (2017).
2016 “Mixing Metaphors: Aesthetics, Mediation and the Rhetoric of Sound Mixing.” In Perspectives on Music Production: Mixing Music, edited by R.Hepworth-Sawyer and J. Hodgson. New York: Routledge, 2016.
2016 “Paradigms of Music Software Interface Design and Musical Creativity.” In Innovation in Music II, edited by R.Hepworth-Sawyer, J. Hodgson, J.L.Paterson and R.Toulson. Shoreham-by-Sea: Future Technology Press, 2016.
2016 “Denis ApIvor’s Variations Op. 29: Introduction to the Guitar Music of a Pioneering British Modernist.” Soundboard, 42/3 (2016).
2005 “Denis ApIvor and his contribution to British opera and ballet” Musical Times, 146 (Summer 2005).
2004 Obituary for Denis ApIvor, Classical Guitar.
2004 Obituary for Denis ApIvor, Dancing Times.
1997 Reviewer for The Consort (Early Music Journal). Score review of Rudolph Dolmetsch, Concertino for Viola da Gamba and small orchestra; CD review of Hopkinson Smith, Instrucción De Música Sobre La Guitarra Española.
1996 “Aural Training for Guitarists” Classical Guitar (6 instalments across the year).